BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VTIMEZONE TZID:Europe/Budapest BEGIN:STANDARD DTSTART:20171029T020000 RDATE:20180325T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Budapest CET END:STANDARD BEGIN:STANDARD DTSTART:20181028T020000 RDATE:20190331T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Budapest CET END:STANDARD BEGIN:STANDARD DTSTART:20191027T020000 RDATE:20200329T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Budapest CET END:STANDARD BEGIN:STANDARD DTSTART:20201025T020000 RDATE:20210328T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Budapest CET END:STANDARD BEGIN:DAYLIGHT DTSTART:20170518T170000 RDATE:20171029T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Budapest CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20180325T030000 RDATE:20181028T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Budapest CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20190331T030000 RDATE:20191027T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Budapest CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20200329T030000 RDATE:20201025T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Budapest CEST END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:4f591fd79c45bdda53698b9a58d9960c CATEGORIES:2018.május SUMMARY:'Brazília vendégek" DESCRIPTION;ENCODING=QUOTED-PRINTABLE:       Rákoshegyi Bartók Zeneház       "Brazíliai vendégek"  \n  \n 2018. május. 19. szombat 17:00\n \n\n  \n Villa Lobos dallamok\n  \n Gabriella Pace (soprano),  Denise de Freitas (mezzo),   Licio Bruno (bass bariton)  és  Sonia Rubinsky (zongora)\n  \n  \n RELEASE:\n   \n CICLO BRASILEIRO (Brazilian Cicle) Villa-Lobos and the construction of Brazil in art songs Featuring Gabriella Pace (soprano), Denise de Freitas (mezzo-soprano), Licio Bruno (baritone) and Sonia Rubinsky (piano)   Villa-Lobos is widely known as one of the most prolific and original composers of the 20th century, with an output o f over a thousand works. A significant part of his production was devoted t o vocal music,  with an impressive contribution to the art song repertoire which still remains to be explored: Villa-Lobos left an output of around 15 0 art songs, ranging from settings of texts by Brazilian poets to unusual h armonizations of national folklore. Sometimes sweetly evocative, sometimes highly dramatic, each song is a snapshot of Brazilian life, posing great ch allenges for singers and pianists alike, from both a technical and an artis tic point of view.\n This program takes the listene r in a journey through Brazil and its music as conceived by its greatest co mposer. The four pieces of the „Ciclo Brasileiro“ (1936) for solo piano pro vide the framework for a selection of twenty songs from different compositi onal periods, including selections from the colorful "Typical Brazilian Son gs" and the dense "Serestas", as well as the songs from "Forest of the Amaz on", Villa-Lobos' summit and summary of a whole life dedicated to Brazil an d its culture.\n __________________________________ _______________________________________________\n S onia Rubinsky was born in Brazil and lived there for the first thirteen yea rs of her life; she later lived in Israel for seven years, then moved to Ne w York. She gave her first concert when she was five-and-a-half years old, gave her first performance as soloist with orchestra when she was twelve, a nd performed for Arthur Rubinstein when she was sixteen.\n  \n Rubinsky studied with Vlado Perlemuter, Beveridge Webster, Jacob Lateiner, Olga Normanha and William Daghlian, and graduated from the Juilliard School with a Doctor of Arts degree. She has performed as a soloist or with orchestras in North America, Europe, Israel and South America. She performs regularly in Brazil, notably with the Orche stra of the Theatro Municipal of Rio de Janeiro and of São Paulo, the Brazi lian Symphony Orchestra, the Campinas Symphony, and the São Paulo State Sym phony. She has received the prestigious William Petschek Award as well as a "Best Recitalist of the Year" award from the São Paulo Association of Musi c Critics. She won the Carlos Gomes Prize as Pianist of the Year in 2006, a nd won a Latin Grammy Award, in 2009, for Best Recording of the Year for th e 8th disc in a series of complete piano works of Heitor Villa-Lobos, on th e Naxoslabel.\n Rubinsky has recorded the complete piano works of Heitor Villa-Lobos for the Naxos label. She has also recorde d music by John Adams, Debussy, Mozart and others for the Nonesuch/Elektra,  Daghlian, Albany Records and Algol Editora labels.\n  \n Gabriella Pace is a two time winner of the C arlos Gomes Prize ‘Best Female Singer’ in Brazil. The second in 2010 was fo r her performance in ‘A Menina das Nuvens by Villa-Lobos. Gabriella has wor ked with distinguished conductors such as Lorin Maazel, Isaac Karabtchevsky , John Neschling, Rodolfo Fischer and Roberto Minczuk. Among her roles are Ilia/IDEOMENEO, Pamina/DIE ZAUBERFLÖTE, Susanna/LE NOZZE DI FIGARO, Soer Constance/DIALOGUES DES CARMELITES, Giulietta/I CAPU LETI E I MONTECCHI, Adina/L’ELISIR D’AMORE, Norina/DON PASQUALE and Adele/D IE FLEDERMAUS. She has also appeared as a soloist in Mahler’s Fourth Sympho ny, Beethoven’s Ninth Symphony, Orffs CARMINA BURANA, Mendelssohn’s LOBGESA NG, Mozart’s REQUIEM, Rossini’s STABAT MATER, DIE SCHÖPFUNG, MASS IN TEMPOR I BELLI and DIE JAHRESZEITEN by Haydn. With the Raga String Quartet she has sung Schoenberg’s STRING QUARTET OP. 10 NO.2 Reco rdings include the Requiem Ebraico by Zeisl with OSESP (Orquestra Sinfônica do Estado de São Paulo). In season 17/18 Gabriell a will sing the part of Adele in DIE FLEDERMAUS with Aarhus Symphony Orches tra. Gabriella started her music and vocal studies with her father, Héctor Pace, and later on studied with Leilah Farah in Sã o Paulo and Pier Miranda Ferraro in Milan. \n  \n Denise de Freitas stands out as an artist of great m usical and scenic expressiveness.  Owner of one of the most important lyric careers in Brazil today.\n With performances in th e most renowned houses in Brazil, such as the Municipal Theater of São Paul o, Theatro Municipal of Rio de Janeiro, Theatro da Paz in Belém, Theatro Am azonas of Manaus, Palácio das Artes in Belo Horizonte, Denise has, in its r epertoire, great roles for the mezzo-soprano voice, including the title rol e in Carmen and La Cenerentola, Dalila in Samson et Dalila, Adalgisa in Nor ma, Laura in La Gioconda, Charlotte from Werther, Fenena in Nabucco, Azucen a in Il Trovatore , The Composer in Ariadne auf Naxos, Fricka in The Valkyr ie, Rosina (The Barber of Seville), Cherubino in Mozart's Figaro, Nicklauss e in The Tales of Hoffmann, Mère Marie in Dialogues of the Carmelites, John from John and Mary, The Boy in L 'Enfant et les Sortilèges, Siebel in Faus t, Principessa in Adriana Lecouvreur, Orfeo in Orfeo and Euridice, among ot hers.\n In 2016, under the rule of Maestro Fábio Me chetti, with the Belo Horizonte Philharmonic, she performedMahler's Das Lie d von der Erde. .\n Internationally, Denise de Frei tas sang the opera Yerma de Villa-Lobos in Berlin, Paris and Lisbon; on a t our of several European cities, under the regency of Maestro Helmut Hilling was presented in Stabat Mater of Dvořak. In the opera of Bogota, he partic ipated in the scenarios of The Weddings of Figaro, The Tales of Hoffmann an d The Barber of Seville, in the above-mentioned roles.\n As a concert performer, his interpretations in Mahler's symphonies an d, of the same author, Kindertotenlieder and Des Knaben Wunderhorn stand ou t; Berlioz's Les nuits d'été; The Messiah, by Handel; Bach Magnificat; The love witch, of Falla.\n Throughout his career, all these interpretations earned him three awards Carlos Gomes in 2004, 2009 an d 2011. Denise de Freitas also received the Bidú Sayão Award, the MEC Radio Talents Award, was the winner of the Brazilian Song Interpretation Contest , and holder of the APCA Prize for the CD Lembrança de Amor, with composit ions by Osvaldo Lacerda and Eudóxia de Barros on piano.\n  \n Licio Bruno, awarded the Carlos Gomes Aw ard 2004 as Best Male Vocal Performer, considered by industry critics to be one of Brazil’s most prominent and sought-after interpreters of the dramat ic baritone repertoire, Licio Bruno has demonstrated his versatility in var ious different musical genres, such as operas, operettas and musicals, miss a cantata and oratorio, chamber music and symphonic repertoires.\n Member of the Hungarian State Opera House opera cast for tw o years and later Guest Singer for 8 years consecutively, Bruno performed i n La Bohème, I Pagliacci, Così Fan Tutte, Carmen and Tannhäuser.\n At the 9th Annual Amazonas Opera Festival in 2005, Licio Br uno experienced an important milestone in his career when he became the fir st Brazilian to perform the role of the god Wotan in the historic and succe ssful full production of Wagner’s tetralogy Der Ring des Nibelungen, the fi rst Brazilian production of this work, under the direction of Maestro Luis Fernando Malheiro and stage direction of Aidan Lang. Numerous critics point ed out the excellence of his vocal and artistic work.\n In 2002, he became the first Brazilian to portray Wotan in Wagner’s Di e Walküre, in the 6th Annual Amazonas Opera Festival, receiving critical ac claim for his performance.\n In October 2004, with the Opera of Colombia, in Bogotá, he performed the Four Villains in Les Con tes d’Hoffmann, by Offenbach (Lindorf, Coppelius, Miracle and Dappertutto) for the third time in his career.\n Bruno’s operati c career includes stage performances in Italy, Spain, Germany, Switzerland, Hungary, Colombia and Brazil, in such roles as Wolfram (Tannhäuser), Tonio (I Pagliacci), Figaro & Count Almaviva (Le Nozze di Figaro), Guglielmo (Co sì Fan Tutte) and Escamillo (Carmen), Rigoletto (Rigoletto), and The Four V illains (Tales of Hoffmann). In 2001,\n Bruno perfo rmed “Prologue in Heaven”, in Arrigo Boito’s Mefistofel, was Friedrich von Telramund in Wagner’s Lohengrin at the Municipal Theater of São Paulo, unde r the musical direction of Ira Levin to high acclaim by the critics.\n He sang Verdi’s Requiem, Beethoven’s Fidelio (D. Fernan do) and made his debut as Jago in the new Italian-Colombian production of G iuseppe Verdi’s Otello, at the Colón Theater in Bogotá.\n Bruno sang also Wolfram in Tannhäuser, Guglielmo in Cosi Fan Tutte, Otello’s Jago; Papageno in Magic Flute, and had an acclaimed debut in two m ain roles: Gerard from Giordano’s Andrea Chènier and Barnaba from Ponchiell i’s La Gioconda, in Teatro Municipal de Sao Paulo. He was also President Ro drigues Alves in the world premiere from O Cientista, opera in 2 acts by th e Brazilian composer Silvio Barbato.\n Bruno appear ed as Figaro in Mozart’s Le Nozze di Figaro in Rio, acclaimed by critics as one of the most interesting roles he has ever made. He also performed Beet hoven’s 9th in Bogotá, Colombia and São Paulo, Brazil and performed Orff’s Carmina Burana in Sala São Paulo and Theatro Municipal do Rio de Janeiro, w here again critics pointed out his alternate comic, sarcastic and passionat e vein. Debuted: Cav&Pag in Bogotá, Colombia and had a very special debut i n the title role FALSTAFF from Verdi’s famous opera in two cities, Belo Hor izonte and São Paulo, Brazil. Rewiewers pointed out the maturity of Licio’s interpretation. He sung also Carlo, from Verdi’s Ernani, performed Don Ann ibale in Il Campanello from Donizetti and Gianni Schicchi in Vitoria and Ha ydn’s Oratorio “The Creation” in Municipal Theater, SP.\n Licio Bruno can also be heard as a chamber musician and is a special ist in Brazilian classical song. He had duos with guitarist Nicolas de Souz a Barros - with whom he has performed Brazilian repertoire extensively - an d with British pianist Elizabeth Mucha, wich repertoire ranges from Schuber t’s “Winterreise” through Romantic composers such as Schumann and Rachmanin ov to contemporary works by English composers, Ivor Gurney and Benjamin Bri tten and French composers, Poulenc and Ravel. He also took part as guest si nger in the XIII Rio International Cello Encounter, singing Schubert, Ivor Gurney and Mozart. He and pianist Tamás Sálgo had also performed many recit als in duo through several Hungarian cities, sponsored by Brazilian Embassy in Budapest (1997/2000)\n Bruno made the first Sou th American audition of the contemporary opera A Water Bird Talk, by Domini ck Argento (his first ever operatic monologue), among many recitals and cha mber concerts in Brazil and Europe.\n Bruno has bee n heard  in several cities and seasons of important orchestras in Brazil, s inging Beethoven’s Missa Sollemnis, Neunte Symphonie, Debussy’s L’Enfant Pr odigue, in Minas Gerais, Rio de Janeiro, São Paulo, Campos, Vitoria, Santo Andre, Brasilia, Manaus, Belém, Salvador, Bahia - Haendel’s The Messiah wit h Salvador Baroque Chamber Ensemble. In Rio de Janeiro, he sung Bach’s Joha nnes Passion with Orquestra Sinfonica Brasileira, and with Theatro Municipa l do Rio de Janeiro Bruno sung Orff’s Carmina Burana, Rossini’s Barbiere di Siviglia (Bartolo), Gomes’  Guarany (Cacico), Gounod’s Romeo & Juliette (C apullet) and Donizetti’s Lucia di Lammermoor (Enrico).\n Bruno debuted Heitor Villa-Lobos opera “A Menina das Nuvens” in São P aulo and Puccini’s Tosca as Barone Scarpia, at Theatro Municipal do Rio de Janeiro.\n Engagements for Bruno’s 25th Career Jubi leum (1988-2013) included Verdi’s AIDA (Amonasro) and Wagner’s Die Walkure (Wotan) in Theatro Municipal do Rio de Janeiro, Brazil, Rossini’s Turco in Italia with Orquestra Sinfonica Brasileira, and Rigoletto (title role), and Falstaff (Sir. John) in São Paulo. Also Der Fliegender Holleander (title r ole) in Argentina (La Plata) and many symphonic concerts as Verdi’s Réquiem in Vitória, ES, Fauré’s Requiem and Carmina Burana in Belo Horizonte and R io de Janeiro.\n He’s also university teacher in 3 subjects:  Singing, Ópera Performance and Diction at the Bachelor’s Singing Course from Conservatório Brasileiro de Música do Rio de Janeiro, working as Guest Professor in many Master Classes he had been given in many cities of Brazil and Colombia.\n  Licio Bruno   \n     \n\n  \n DTSTAMP;TZID=Europe/Budapest:20260606T015110 DTSTART;TZID=Europe/Budapest:20180519T170000 DTEND;TZID=Europe/Budapest:20180519T180000 SEQUENCE:0 TRANSP:OPAQUE END:VEVENT END:VCALENDAR